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缺失与平衡,神圣与亵渎,轻松与沉重之间的一场好戏

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“Tríptico Infame”系列小桌,是巴西设计师Pedro Paulo Venzon的最新作品,共有3款,分别是Anca, Coito和Teta。作品对巴西殖民时期的历史进行了当代化的重释,关于殖民,忏悔,还有僵化的社会秩序。他试图通过作品在轻松与沉重,雕塑与家具之间建立一种复杂的关系,借此与去殖民化以及当代审美对话。他的作品偏离于大众认知。这一系列作品,就像一场好戏,在缺失与平衡,神圣与亵渎,轻松与沉重之间上演。


The “Tríptico Infame” (“Infamous Triptych”) is a look at the colonial devices, the technologies of confessionthe rigid discipline that operated in the production of a redemptive iconography. The piece intends to establish a hybrid relationship between severitylightness, between sculpturefurniture, from a division between that which forms the order of functionthat which, desecrating it, establishes dialogues not only with decolonial hyphenation, but also with contemporary aesthetic discourses. In an embodiment of resumption, the piece departs from the typical structure of devotional painting. As a result, it produces a play between lackbalance, sacredprofane, lightnessseverity.

Anca


Coito


Teta


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